Not that this'll be much use to anyone who wants one, what with them having sold out weeks back, but the Portishead vinyl box set that I was looking forward to in March has been in my clammy paws for the last couple of months. The album, Third, was included in the set both in 2xLP and USB stick formats, the former perfect for the record player in the workroom, the latter just right for plugging into the DVD player in the living room. The USB stick is a sturdy little thing, shown to the right, and also contains a bunch of AVI files, but by containing the full album as 320kbps MP3s it handily gets passed the problem of wanting an album on vinyl but also wishing to listen to it digitally. Plus it looks nifty.
Still, the album sounds at its best on those two thick slabs of vinyl, clarity in the sound even when it's deliberately distorted. It's an excellent album, far more uncompromising and experimental than you might expect, possibly my favourite of Portishead's three studio albums so far. We Carry On is a particular treat, a wonderfully relentless beat pounding the song forward, urgent vocals bordering on the desperate, strangely ethereal backing voices cooing as percussion clatters furiously into taut guitars. Lovely stuff, it's definitely one of the highlights of this year thus far.
Also included in the box-set was a 12" of the Machine Gun single - one side contains the song itself, while the other looks like, well, look to the right. It's an intriguing etching - unlike that on the Low and Mono records, it's very linear, certainly not sourced from any scratching by hand but instead based on what looks like a photograph of a watchtower, taken between two rows of fencing. It's a suitably chilly, tense and almost mechanical image that fits the electronically distorted percussion driving the single it's backing like a glove. As with Radiohead's superb In Rainbows box-set last year, it's an excellent way to present an album yet, crucially, the presentation never overshadows the quality of the music they contain.
On a smaller scale, but still much appreciated, is Sub Pop's system of including a 'voucher' with every new LP they sell. This voucher allows the customer to download the entire album that they've just bought on vinyl as MP3s, so audio nerds like myself can listen the album on MP3 players (and burned onto CD) while still being able to enjoy it as a record and all the good points that brings, both sonically and visually. A few weeks back I bought the debut albums from Flight of the Conchords and Foals through Sub Pop (bizarrely, despite Foals being based in the UK and having a British label, it was actually cheaper to order their LP from America than through a UK store) and they both look and sound great. Flight of the Conchords have been wibbled about here before and produce the kind of comedy music that's genuinely funny and musically enjoyable (no mean feat), while Foals play a tight indie sound somewhere between Battles and Bloc Party, first catching my lugholes with the punchy Cassius earlier in the year. You can hear MP3s from both bands below c/o the Sub Pop media page, plus a suitably groovy video from the Conchords to tempt your eyes and ears. Vinyl and digital in one fell swoop - it's the best of both worlds, innit? Now if every other record company out there would follow suit...
Foals - Balloons (MP3)
Flight of the Conchords - Business Time (MP3)
Flight of the Conchords - Ladies of the World (MPEG)
And while we're on the subject of quality tunage, there's a brand new Sigur Ros track up for free in advance of their new album, Með suð í eyrum við spilum endalaust. You need to pop your email address in first to get the MP3, while the video for the song can be watched by anyone... but beware! The video is nothing but naked types cavorting around nature - well, some of them have got socks on, but that's about it. Both sexes are there, in all their wobbly glory, so there's something for everyone, and it's all rather Health & Efficiency if you can stop worrying about people getting caught on thorny branches in the worst way. Still, they seem happy enough, it's thoroughly exuberant and although I couldn't get into the rhythm at first, initially feeling off-kilter, once I'd latched onto it I really liked the song. Boding well for that fifth album, it's as cheerful and energetic a soundtrack as you'd want for scampering around your local nature reserve.
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