Textured Study in Chinagraph, November 2007, $60
Hmmm. Hmmmmm. Hmmmmm. There's an awful lot of pondering going on inside the Nagl cranium right now following Saturday's life drawing session. It wasn't a particularly successful one, with two so-so's and one alright (see above), a much lower hit rate than I expect to be achieving these days. For much of the session I didn't feel relaxed there, seemingly exacerbated by overhearing a wide range of pretentious chatter from the others at the class during the breaks. Imagine, pretentiousness in an art college! Aye, not particularly surprising, but for some reason it seems to be grating more and more - maybe I'm just becoming increasingly intolerant with every day. Pretentious bullshit's never sat well with me - something which I still believe directly led to me not being accepted on the NFTS Animation MA six years back (what, me, bitter? Still? Sir, the very idea!). Thankfully the classical animation courses I took in Bournemouth and Dublin were mercifully low in any conceptual guff (and reassuringly high in fucking hard work), but had I ended up taking a Fine Art degree instead... it just doesn't bear thinking about. As a result I find myself feeling more frustrated and disconnected than I ever did at the Glasgow sessions, that feeling inevitably getting in the way when I'm trying to make a decent drawing.
But it's not just les autres. The biggest distraction is muggins here. I'm becoming more and more aware of viewing every drawing as a potential sale - judging each picture by how much I could realistically charge for it, if anything - and thinking this while I'm in the actual process of drawing. I can't stress how unsettling this is. I'm used to having quality control kick into action the moment the first marks get made on a sheet/canvas, every artist does, but this is an altogether more mercenary way of thinking and I don't like it. It's telling that the clouds only lifted for me on Saturday after I'd done an ink drawing I thought could be sold (though, in retrospect, it's not good enough after all). This seems wrong, really wrong. I should be drawing and painting because it makes me happy, not because it could pay for a new Wii game or the week's grocery shopping, yet that's the mindset that seems to be creeping around my noggin during these drawing sessions.
Ironically, of sorts, this is happening at a point when I haven't sold any pieces for over six weeks after a few months of regular sales. There's 60 pieces currently up on my Etsy site and 38 of those are nudes from life drawing. By comparison, there's only 2 animal pieces, 2 still-lifes and 5 landscapes. So here's what I'm thinking - maybe I need another break from the life sessions (this after saying in September that "I missed it far too much and won't go skipping any more terms"). Whether it's the venue, the other artists or the sales (and lack of) that's making my Saturday afternoon's a downer, it's daft to be shelling out a hundred quid a term for four hours of frowny frustration. There's still four more pre-paid sessions to go this year, all of which I'll go to and see how it feels. Unless my daft noggin can sort itself out, I reckon it'll be time for more solitary, unstructured drawing, whether it be still-lifes (which I really should be doing on a monthly basis at least, yet haven't done one all year), using all those Skye/Orkney sketches as a basis for some detailed landscape painting or getting a season ticket for Edinburgh Zoo and spending a couple of hours every Saturday sketching the beasties there. I wonder if I've pretty much plateaued in terms of life drawing, and need to improve with other subjects before returning back to the human bod in the future. And, from a cold business view, I'm more likely to sell a good landscape or animal sketch than a life drawing. There's plenty of nudity already in the Emporium, surely it makes more sense to add some variety to what's on sale?
Three self-reflective paragraphs later, I'm still not sure. I wonder if this is just an over-reaction to a bad session, and if next week will see me skipping home giddily having had a great session with a fine piece of work to show for it, or if I've let myself get lazy, falling into a life drawing rut with one eye on the artwork and another on the piggy bank. On the one hand I can remember how frustrated I felt during the middle of this year when I wasn't doing any sessions (though, to be fair, those months living above a noisy mid-life-crisising fuckwit would've frustrated Buddha). On the other I feel that the weekends are the only time I get to focus on artwork (especially during these months when the sun only hangs around for a few hours and decent daylight becomes hard to find) and if I'm not going to be a one-trick artist I should use that time to produce pictures free of dangly bits.
So, like I says, hmmmmm.
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